The Virgin Suicides 1999 Movie on Netflix
The Virgin Suicides 1999-lesson-italienisch-AVCHD-Google Play-screening-1999-DVDScr-1080p-On Netflix.jpg
The Virgin Suicides 1999 Movie on Netflix
Filmteam
Coordination art Department : Adelais Darlan
Stunt coordinator : Yacouba Jalbert
Script layout :Khloe Ciwan
Pictures : Madiah Line
Co-Produzent : Gingras Levy
Executive producer : Holt Ilian
Director of supervisory art : Ruben Shantia
Produce : Nixon Cherine
Manufacturer : Timo Felipe
Actress : Gytis Erine
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
7.1
1682
The Virgin Suicides 1999 Google Docs | |
Moment | 139 minutes |
Release | 1999-12-31 |
Quality | MPEG 1080p BRRip |
Category | Drama, Romance |
speech | English |
castname | Zairah W. Sadeem, Joanne B. Onfroi, Renaut Z. Aceline |
The Virgin Suicides 1999 Movie on Netflix
Film kurz
Spent : $020,408,012
Income : $911,844,398
Categorie : Himmel - Exil , Scheitern - Women , Blasphemie - Einfach , Apathie - BrĂ¼der
Production Country : Kambodscha
Production : Producciones Aparte
A very different movie, enjoyable and engrossing but at the end of it you are left wondering what the point was. Is there a moral here? A life lesson? Or is the movie just telling a quirky story? I'm still not sure. This movie is well acted and is never boring, but it is puzzling.
***Artistic, profound, amusing, tragic, haunting coming-of-age in the 70s***
A 13 year-old girl from a Catholic family in a Detroit suburb commits suicide during the late 70s and its effects are shown over the course of the next year in the lives of her four sisters (e.g. Kirsten Dunst), her parents (James Woods & Kathleen Turner) and the boys of the community. Josh Hartnett is on hand as the school stud who’s interested in Lux (Dunst).
"The Virgin Suicides" (1999) was Sofia Coppola’s debut film based on the book by Jeffrey Eugenides; she would go on to great success with “Lost in Translation” (2003) and the underrated “Marie Antoinette” (2006). To be expected, Sofia’s style is similar to her father, as well as Peter Weir, but maybe more focused on feminine themes. The tone of the movie is artsy and deep, but not without a sense of humor. It’s haunting, mysterious, beautiful and impenetrable, reminiscent of Weir’s “Picnic at Hanging Rock” (1975). There’s also a great 70’s soundtrack featuring well-placed songs by The Hollies, Heart, Styx, Todd Rundgren and 10cc.
The subtext on parental legalism brings to mind “Footloose” (1984), but it’s clear that the blame can’t be placed solely at the feet of the parents, who are certainly overprotective but also clearly loving to a degree. Cecilia’s rash actions are the catalyst and the domino effect comes into play coupled with the oppression of stifling legalism and perhaps passive revenge. At the end of the day, though, it comes down to just a stupid decision by teenagers. Yet the movie’s about way more than suicide and its causes. It’s about coming-of-age, seeking identity & a voice, coming-of-death and the haunting reflections of those that remain.
The film runs 1 hour, 37 minutes and was shot in Toronto.
GRADE: A-/B+
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